Friday, August 31, 2012
Thursday, August 30, 2012
Becky Kolsrud @ JTT opens September 7th, 6-8pm
JTT
170a SUFFOLK STREET
170a SUFFOLK STREET
NEW YORK NY 10002
Becky Kolsrud
September 8 - October 21, 2012
Opening Reception: September 7th, 6 to 8pm
Floor Routine @ BOEDEGA opens September 7th, 2012
Floor Routine
Ethan Cook
John Roebas
Maria Walker
September 7 - October 21
Opening September 7, 6 - 9pm
Bodega is happy to present a collection of work by Ethan Cook, John Roebas and Maria Walker on view from September 7 to October 21.
Ethan Cook
John Roebas
Maria Walker
September 7 - October 21
Opening September 7, 6 - 9pm
Bodega is happy to present a collection of work by Ethan Cook, John Roebas and Maria Walker on view from September 7 to October 21.
SEBASTIAN BLACK @ THE NATIONAL EXEMPLAR opens WEDNESDAY, SEPTEMBER 5TH, 2012
P s N Q s
The National Exemplar, 381 Broadway, 2nd Floor
Sept 5th - October 14th
Opening Wednesday, Sept 5th 6 - 8pm
I heard a story about how El Lissitzky once painted a large suprematist-y billboard and displayed it outside of a factory in Vitebsk. I've never seen it but I imagine it had some shapes, some colors, the whole deal really. They say Lissitzky’s intention was to activate some leftist rumblings amongst the workers there, but that he didn’t quite hit his mark. I guess the gesture must have involved a kind of faith in the power of aesthetic forms to engender new social formations...
These days such encounters are made into useful signs themselves. They comprise a valuable shorthand that can inspire pathos and sell paintings (see this press release). People even say that this "making sign" of historical avant-gardes is one convention of contemporary art (and of image production generally).
Funnily enough, another convention consists of divorcing signs from their original or intended meanings and referents. People call this one “abstraction”. These complementary conventions constitute a kind of kombucha dialectic wherein a historical avant-garde as hypostatized membrane is seemingly at odds with the proliferation of flavorful abstractions in which it stews.
For better or for worse these paintings, which are called Period Pieces, imagine a vanishing point for these trajectories.
Sebastian Black
2012
The National Exemplar, 381 Broadway, 2nd Floor
Sept 5th - October 14th
Opening Wednesday, Sept 5th 6 - 8pm
I heard a story about how El Lissitzky once painted a large suprematist-y billboard and displayed it outside of a factory in Vitebsk. I've never seen it but I imagine it had some shapes, some colors, the whole deal really. They say Lissitzky’s intention was to activate some leftist rumblings amongst the workers there, but that he didn’t quite hit his mark. I guess the gesture must have involved a kind of faith in the power of aesthetic forms to engender new social formations...
Lissitzky bumped into a foundational paradox of the aesthetic vis-a-vis praxis: that it be both autonomous AND inextricable from the socio-political conditions in which it arrives. Not incidentally the history of modern art is formulated as a series of repeated bumpings-into.
These days such encounters are made into useful signs themselves. They comprise a valuable shorthand that can inspire pathos and sell paintings (see this press release). People even say that this "making sign" of historical avant-gardes is one convention of contemporary art (and of image production generally).
Funnily enough, another convention consists of divorcing signs from their original or intended meanings and referents. People call this one “abstraction”. These complementary conventions constitute a kind of kombucha dialectic wherein a historical avant-garde as hypostatized membrane is seemingly at odds with the proliferation of flavorful abstractions in which it stews.
For better or for worse these paintings, which are called Period Pieces, imagine a vanishing point for these trajectories.
Sebastian Black
2012
Wednesday, August 29, 2012
Martin Soto Climent: I MISS MY THREAD @ Karma International opens August 31st, 2012
Martin Soto Climent
I MISS MY THREAD
1 September - 30 September 2012
Opening reception - 31 August 2012, 6-8 pm
Karma International
Hönggerstrasse 40
CH - 8037 Zürich
Tuesday, August 28, 2012
Anya Kielar: WOMEN opens Sunday, September 9th @ Rachel Uffner
Anya Kielar: WOMEN
September 9 - October 21, 2012
Opening Reception: Sunday, September 9, 6-8 pm
Monday, August 27, 2012
PRIMARY @ NUDASHANK, BALTIMORE
Katie Bell
Stacy Fisher
Joanne Greenbaum
Claire Grill
Fabienne Laserre
Lauren Luloff
Lauren Luloff
Katie Bell
Tatiana Berg
Susan Bricker
Stacy Fisher
Amanda B. Friedman
Joanne Greenbaum
Clare Grill
Fabienne Lasserre
Lauren Luloff
Elisa Soliven
Sunday, August 26, 2012
Did You See Heaven: WYSIWYG at PEREGRINEPROGRAM opens September 2nd
Did You See Heaven: WYSIWYG
McKeever Donovan
Susanne Doremus
Susanne Doremus
Ron Ewert
Richard Galling
Antonia Gurkovska
Oliver Henry
Sofia Leiby
Josh Reames
Ezara Spangl
Richard Galling
Antonia Gurkovska
Oliver Henry
Sofia Leiby
Josh Reames
Ezara Spangl
Opening Sunday, Sep 2, 4-7 p.m.
Exhibition runs through Sep 30, 2012.
PEREGRINEPROGRAM
3311 W Carroll Ave. #119
Chicago, IL 60624
www.peregrineprogram.com
Exhibition runs through Sep 30, 2012.
PEREGRINEPROGRAM
3311 W Carroll Ave. #119
Chicago, IL 60624
www.peregrineprogram.com
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2012
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August
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- Mary Weatherford "Manhattan" Opening @ Brennan & G...
- JOHNNY CASH & BOB DYLAN: CARELESS LOVE
- Eddie Martinez "Studio Drawings" opens September 5...
- Becky Kolsrud @ JTT opens September 7th, 6-8pm
- Matthew Brannon: The Ventriloquist @ Office Baroqu...
- BRINKERHOFF INTERVIEWS ABELOW FOR NY ARTS MAGAZINE...
- Floor Routine @ BOEDEGA opens September 7th, 2012
- SEBASTIAN BLACK @ THE NATIONAL EXEMPLAR opens WEDN...
- ANTONIO LOPEZ @ THE SUZANNE GEISS COMPANY
- Michael Yonkers: Kill The Enemy
- "Woman and the animals," 1966, Marevna (Marie Voro...
- GINA MAGID @ FEATURE INC. opens SEPTEMBER 5TH, 201...
- Untitled, 2010, Sergej Jensen
- Nikholis Planck curated by Deirdre Smith @ sophiaj...
- EILEEN QUINLAN @ Campoli Presti, London
- LOZANO TOOLS
- FRED BERVOETS @ SORRY WE'RE CLOSED
- MARK FLOOD: THE HATEFUL YEARS @ LUXEMBOURG & DAYAN...
- Martin Soto Climent: I MISS MY THREAD @ Karma Inte...
- Anya Kielar: WOMEN opens Sunday, September 9th @ R...
- Untitled #264, 1992, Cindy Sherman
- “Untitled (Bald Woman With Skeleton)," 1938, Jacks...
- JEFFREY SCOTT MATHEWS
- MARTIN CREED
- JASON BRINKERHOFF
- PRIMARY @ NUDASHANK, BALTIMORE
- H. C. Westermann
- COMPLIMENTA (1) SEPT. 1 & 2, 2012
- JOANNE GREENBAUM @ Nicolas Krupp, Basel
- Did You See Heaven: WYSIWYG at PEREGRINEPROGRAM op...
- "Mechanical Bride," 2012, Jason Brinkerhoff
- "Rigida and Schurmann," 1995, Al Taylor
- "Acrobatic Frog Cup," 1968, Ken Price
- "Self-Portrait with Dog," 1957, Antonio Ligabue
- "Head of the Dog," 1882, Claude Monet
- "Horsewoman and Dog," 1899, Henri de Toulouse-Laut...
- "Woman with Lyre and Dog," date unknown, August Ma...
- "Walking Woman with Dog," 1926, Ernst Ludwig Kirch...
- "Deerstalking," 1938, Andre Derain
- "T.P. and Jake," 1938, Thomas Hart Benton
- "Weibliche Akte," date unknown, Paul Goesch
- "A Boy with a Dog," 1861, Edouard Manet
- "Marika with her Dog and Cats," 1968, Marevna (Mar...
- "Andre Utter and His Dogs," 1932, Suzanne Valadon
- "A Dog," 1912, Franz Marc
- "Port of Saint-Tropez, Evening Effect," 1909, Fran...
- ANDY WARHOL, GOLD AND SILVER DRAWINGS: A DAYBOOK
- JONATHAN ALLMAIER
- CHUCK WEBSTER
- Frank Benson / Peter Fischli and David Weiss: Airp...
- ELLEN GRONEMEYER: AFFENTHEATER @ KIMMERICH opens S...
- Robert Janitz @ Shoot The Lobster opens September ...
- Germaine Kruip: A possibility of an abstraction @ ...
- DELIQUESCE curated by Emma Astner and Laura McLean...
- Untitled, 2012, Joshua Abelow
- READING IN BED
- MATT CONNOLLY SET ON KCHUNG RADIO
- QUEEN: COOL CAT (2ND TAKE featuring DAVID BOWIE)
- THE SWEETHEARTS: Burnin Through The Nite
- "The Drinker (self-portrait)," date unknown, Ernst...
- ARIEL PINK'S HAUNTED GRAFFITI: ONLY IN MY DREAMS
- "panel of tree flanked with figures," 2012, Thomas...
- "PAINTER," 2008, Joshua Abelow
- STEELY DAN: DIRTY WORK
- ART IN AMERICA, JULY 1987
- CHARLES BUKOWSKI: 8 count
- Untitled (from Propo – Series) (Pink Clown), 1991—...
- BRITT & COMORA IN LA, 08/2012
- RAW THRILLS: BOTH WAYS
- "Woman with a Mandolin," 1909, Pablo Picasso
- Warm @ Signal
- "Sustained Comedy," 1939, Marsden Hartley
- "Frontispiece to 'The Dial'," 1886, Charles Ricket...
- "ENJOY BLOOD," 2011, Mark Flood
- B-OUT @ ANDREW EDLIN
- "Messalina and her Companion," 1895, Aubrey Beards...
- "Dock Scene," 1985, William Wegman
- John Phillips: Malibu People
- Margaret Lee and Matthew Higgs @ The Green Gallery...
- FULTON RYDER BOOKSHOP, GALLERY & PUBLISHER
- UPCOMING SOLO SHOW @ SORRY WE'RE CLOSED,BRUSSELS
- JOSÉ LERMA & EDDIE MARTINEZ @ HALSEY MCKAY
- PUSSY RIOT: KILL THE SEXIST
- Excerpt from UNCLAIMED BAGS WILL BE DESTROYED by J...
- CHARLES BUKOWSKI ON DEPRESSION
- BRUCE NAUMAN: ONE HUNDRED FISH FOUNTAIN @ GAGOSIAN...
- BULLETIN BOARDS @ VENUS OVER MANHATTAN
- JAMES LEE BYARS: THE MONUMENT TO CLEOPATRA @ MICHA...
- JOHN PHILLIPS: TOPANGA CANYON
- ‘Mike Kelley: 1954-2012’ at the Watermill Center
- "Construction December II," 1964, David Smith
- "Star," 2012, Patrick Groth
- PRIMARY @ NUDASHANK opens TONIGHT!
- "Seated Man Playing Flute," 1967, Pablo Picasso
- "Russisches Ballett (I)," 1912, August Macke
- "Piping Pierrot," date unknown, Albert Bloch
- "Jessie with Guitar," 1957, Thomas Hart Benton
- RAW THRILLS: YOU BABY
- Used Photocopier @ Hotel, London
- QUEEN: DON'T STOP ME NOW
- CHARLES BUKOWSKI
- INTERVIEW WITH TOMORROW GALLERY
- Jason Loebs and Charlotte Prodger @ Essex Street
- Commercial Psycho curated by Will Benedict @ Andre...
- VIVA LA RASPBERRIES @ HARRIS LIEBERMAN
- INSIDE THE BANANA @ ALGUS GREENSPON
- GENE BEERY
- Untitled, 1980, Keith Haring
- SAM COOKE: I LOST EVERYTHING
- MATT CONNORS
- Excerpt from MY OTHER PAINTING IS A CAR* by John K...
- "Hot Jazz," 1940, Franz Kline
- "Harlequin and Pierrot," 1924, Andre Derain
- "Dancer in the Landscape," date unknown, Jury Anne...
- "Candle Dancers," 1912, Emil Nolde
- "An Acrobat," 1919, Moise Kisling
- "A Dancer," 1950, Gino Severini
- "Design for the Banquet Hall in Essen," 1932, Erns...
- "Leaves, Ile St. Louis," 1950, Ellsworth Kelly
- Final week to see B-OUT: Andrew Edlin Gallery Tues...
- ART IN GENERAL'S FALL PARTY: SATURDAY SEPTEMBER 29...
- STUDIO VISIT WITH BEN HORNS
- A Real Slow Drag by Adam McEwen
- Excerpt from My Other Painting Is a Car* by John K...
- "Van in the boathouse at Magic City Farm, Miami, F...
- NEEDLES IN THE CAMEL'S EYE @ THOMAS DUNCAN
- THOMAS LAWSON
- "Four Seater," 2009, William Stone
- "Portrait of the Artist's Sister," 1909-11, Marc C...
- JOHN DENVER: LEAVING ON A JET PLANE
- Frank O'Hara: A True Account of Talking to the Sun...
- No Title, 1963, Lee Lozano
- "Self-Portrait with Cooking Pot (Selbstporträt mit...
- Maria Walker: Four Rooms @ John Davis Gallery, Sec...
- JONATHAN ALLMAIER @ JAMES FUENTES
- BRUCE NAUMAN: ONE HUNDRED FISH FOUNTAIN @ GAGOSIAN...
- PRIMARY @ NUDASHANK opens Friday, August 17th, 201...
- Untitled (Target), 2012, Ned Vena
- Untitled, 2009, Heist/Breyer P-Orridge
- THE PAINTING FACTORY @ MOCA
- " Zulu King Cetshwayo (wearing an Andrew brooch),"...
- MR I @ Graff Mourgue D’Algue opens August 25th, 20...
- JORDAN WOLFSON: ANIMATION MASKS
- "Elvis the King," 2010, Keith Mayerson
- "= ))) >>," 2012, Keltie Ferris
- BJARNE MELGAARD
- Excerpt from Escape from Discussion Island* by Joh...
- SEAN KENNEDY @ THOMAS DUNCAN
- "Curtain Figure," 1999, Nicola Tyson
- Akira Horikwa: 1000 Drawing Project @ GBE opens Au...
- Excerpt from Decapitalism by John Kelsey
- RANDY NEWMAN: I LOVE LA
- DOUGLAS MELINI @ FEATURE INC
- JONATHAN ALLMAIER @ JAMES FUENTES: AUGUST 10TH - S...
- JOSÉ LERMA & EDDIE MARTINEZ @ HALSEY MCKAY GALLERY...
- Excerpt from Collage and Program by John Kelsey
- THE DOORS: L.A. WOMAN
- STUDIO VISIT WITH BRETT CODY ROGERS
- STUDIO VISIT WITH BRITTON TOLLIVER
- VIDEO INTERVIEW: JEFF KOONS
- Excerpt from 100% by John Kelsey
- WIPERS: RETURN OF THE RAT
- Standard Operating Procedures curated by Piper Mar...
- Drawing a Blank (On Forgetting, Refusal, Censure a...
- Ruby Neri: Sculpture @ David Kordansky
- Scott Olson @ Overduin and Kite
- ZACH HARRIS
- "Athletes Exercising in a Gymnasium," 1920, Willia...
- No Title, 1999 - 2000, Chris Ofili
- "Self-Portrait as Pile of Dog Dirt," 1973, Dieter ...
- "Portrait with many Hats," 2010, Ansel Krut
- INSIDE THE BANANA @ ALGUS GREENSPON
- Sweet Distemper organized by Isaac Lyles @ Derek E...
- Wiley Hoard @ Arthur Boskamp-Stiftung curated by ...
- "Furbelow," 2007, Carrie Moyer
- JOSH FAUGHT @ LISA COOLEY
- MATT CONNORS
- Kurt Finsten @ 3A Gallery opens August 2nd, 6-8pm
- Stan VanDerBeek @ American Contemporary
- Dave Miko: A Crab Having a Party in a Crab Trap @ ...
- LAST WEEK: Jack Lavender | Oliver Osborne | Marco ...
- EPIPHANIC GLOW @ GEOFFREY YOUNG GALLERY
- "Wanderer," 1997, Carroll Dunham
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