NADA: NEW YORK (part two)
Blog Archive
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2012
(2317)
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May
(171)
- THE CATCHER IN THE RYE a novel by RICHARD PRINCE
- Todd Chilton @ Feature Inc.
- John McAllister @ Carl Freedman Gallery
- BORNA SAMMAK @ JTT
- Matthew Chambers
- DANIEL LEFCOURT @ CAMPOLI PRESTI, PARIS opens JUNE...
- No title, date unknown, Lee Lozano
- Untitled, 1916—1917, Hans Arp
- Rebecca Morgan
- Thomas Bayrle @ AIR DE PARIS
- CHANGING STATE OF MATTERS @ BRAND NEW GALLERY, MIL...
- SOME WOMEN (ABELOW SUITE) BY JASON BRINKERHOFF
- PICS FROM THE OPENING OF LEAVE IT TO BEAVERS COURT...
- Save the Date: "T" Space opening of Polly Apfelbau...
- JANA EULER @ REAL FINE ARTS
- Letters Not About Love: EJ Hauser, Nancy Haynes, a...
- ART THOUGHTZ: The Studio Visit
- Untitled, 1964, Sigmar Polke
- Fükengrüven @ Bodega opens June 9th
- CHARLES IRVIN @ Graff Mourgue D’Algue
- Cheyney Thompson: Sometimes Some Pictures Somewher...
- "The Torment of Saint Anthony," 1487, Michelangelo
- "Holy Antonius," 1470, Martin Schongauer
- "Standing Witch with Monster," 1515, Hans Baldung
- "Witches in the Air," 1797 - 1798, Francisco Goya
- "Christ among the Doctors," 1506, Albrecht Durer,
- Excerpt from Letting Go by Philip Roth
- RECENT SNAP-SHOTS
- David Ostrowski @ Figge von Rosen Galerie Cologne
- Tyler Dobson & Megan Marrin @ Renwick Gallery open...
- LEAVE IT TO BEAVERS opens TONIGHT at GALLERY DIET,...
- Benjamin Senior @ BolteLang opens June 1st
- Oscar Murillo
- Katherine Bernhardt's Magic Flying Carpets at FEAT...
- Aaron Bobrow: No Sleep in the Exit Row @ Office Ba...
- URS FISCHER, A FILM BY IWAN SCHUMACHER
- "Numbers in Love," 1924, Giacomo Balla
- Carroll Dunham drawings at Blum and Poe
- Kenny Scharf @ Honor Fraser
- STURTEVANT @ GBE
- MERLIN CARPENTER @ REENA SPAULINGS FINE ART
- HANNA LIDEN: Ghost Town @ Maccarone
- RICHARD ARTSCHWAGER @ The National Exemplar
- "My Interpretation of the 80s Aesthetic (It’s You ...
- HANGING OUT AT JF (PAINTING BY DANIEL HEIDKAMP)
- Rita Ackermann: Fire By Days @ The Journal Gallery
- JOY DIVISION: DISORDER
- OLIVIER MOSSET @ INDIPENDENZA STUDIO, ROME
- CHRISTY GAST
- ANDREW J. GREENE
- Domenico Gnoli
- Marina Adams
- "Anxiety and the Horse. Green Window," 2011, Gary ...
- Charles Ray @ Matthew Marks, LA
- JOHN BALDESSARI: DOUBLE BILL
- FOUR PAINTINGS @ REGINA REX
- Yevgeniya Baras
- Martin Creed and his Band
- THE SOUND: HOTHOUSE
- "EL Wire Noose," 2011, Keller/Kosmas (Aids-3d)
- Helen Verhoeven @ Wallspace
- IDEA POLE @ RAMIKEN CRUCIBLE
- ADRIANNE RUBENSTEIN
- Scott Olson at Overduin and Kite opens Sunday, May...
- Michael Bauer: H.S.O.P. - 1973 @ Lisa Cooley
- Ariel Dill: Oscillations @ SOUTHFIRST
- K8 HARDY "UNTITLED RUNWAY SHOW" (2012)
- LETHA WILSON
- MC LYTE: CAPPUCINO
- Awesome Tapes From Africa @ Lisa Cooley this Sunda...
- "Queen of Spades," 1912 - 1915, Olga Rozanova
- Fabienne Lasserre
- MICHAEL BERRYHILL: Incidental Western @ KANSAS
- Ryan Foerster - Organized by Bob Nickas @ Shoot Th...
- Excerpt from The Artist's Dilemma by Mark Rothko
- "Vegetable Dinner," 1927, Peter Blume
- "The Amazon," 1925–26, Joseph Stella
- ECHO AND THE BUNNYMEN: BRING ON THE DANCING HORSES
- "Horse," 1949, Yves Klein
- "Man with Horse," date unknown, Kazimir Malevich
- "Claude, Two Years Old, and His Hobby Horse," 1949...
- "Runaway Horse with Stableboy and Pavilion," date ...
- "Horse Frightened by a Storm," 1824, Eugene Delacroix
- "Three Rumps of Horses," date unknown, Theodore Ge...
- DARREN BADER @ 1857, Oslo
- "The Pregnant Woman," 1505 - 1507, Raphael
- Richard Brautigan: Linear Farewell, Nonlinear Fare...
- Kamrooz Aram at Art Futures | ArtHK 2012 | Booth A17
- SCOTT CALHOUN
- Katharina Grosse @ Johann König, Berlin
- MIDNIGHT OIL: RUN BY NIGHT
- IDEAL POLE curated by Bjarne Melgaard: Part One: U...
- "Last Love," 2011, Ted Gahl
- "Queen of Diamonds," 1915, Olga Rozanova
- Mise-en-Scéne at YOUNG ART | Saturday, May 26 2012
- Verena Dengler, Ellen Gronemeyer, Helena Huneke, A...
- CARLA EDWARDS
- Claus Rasmussen @ Galerie Neue Alte Bruecke
- A Precursor to Playboy: Graphic Images in Rock
- ROBERT JANITZ: A SHOE THAT FITS VARIOUS FEET @ CLE...
